Lesson: Paper
Casting
·
Tear your source paper into small pieces (approx.
1”) and soak in hot water to loosen the fibers.
·
Soak for at least 20min, longer for
stiffer/thicker papers. You want the paper to feel like it will fall apart when
you pick it up.
·
Place your soaked paper in the blender. Add a
little water and blend.
·
If the paper isn’t blending well, add more water
until you can get a puree.
o
Our blender is normal cooking size so you will
make enough puree for several smaller pieces.
·
Once the paper is pulped completely- you shouldn’t
have pieces of paper left, just mush- strain out most of the excess water.
·
You can place your pulp in a cheese cloth or fine
mesh colander lined with coffee filters or paper towels if it is especially
liquid.
·
You usually do not need to spray mold release
for paper casting
·
Place some of the pulp into your mold.
·
Tap against the counter to settle the pulp.
·
Place a towel over the pulp and press down on
it- compressing the pulp in the mold and wicking away the moisture.
·
Repeat until the mold is full and the pulp is
tightly compressed.
o
If you are having trouble with the layers
separating, either the pulp is too dry (add water) or not blended enough.
·
Let dry- depending on the thickness of the casting
this can be anywhere from a couple hours to a day.
·
Demold and let sit for a couple hours. This
makes sure that the areas deepest in the mold are cured as well.
Working with the castings:
·
You can’t do too much finishing work on the
paper as it starts to fray and soften at the edges. If you do need to trim the
casting, use an sharp Xacto or scissors to remove any flashing.
·
If you want more flexibility in your castings,
mix in some Elmer’s glue or PVC glue (archival bookbinding glue) into the pulp.
·
You can (slowly and gently) drill the paper
castings. The small nuts and bolts, tube rivets, and grommets are really good
for connecting. You can use cord, chain or jump rings through the holes in the
grommets or tube rivets. The protection of the metal around the hole helps to
prevent fraying and the connection coming loose as the paper softens at the
stress point.
·
For colors, it is best to use paper that is the
color you want. Remember that since you are blending the paper, if you want
multi-tone casting, blend the colors individually and mix together after
straining the pulp.
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